BEYOND THE HORIZON- Contemporary Art Exhibition
A Confluence of Varied Images
Whenever a number of young artists come to exhibit their works together, they are generally a motley crowd having various tendencies, approaches and styles. Their thematic penchant too varies considerably (unless of course there are abstractionists among them, in which case only their approaches will differ). Some may pick up the Radha-Krishna romance. Others may go for modern approaches and imageries of romanticism. Some others may root for sex-and-violence – a theme that is very common these days, given our current environment. And yet some may lean towards catering to the art market, since there is a lucrative art market today. (which indeed is good news for most of the artists).
In my own opinion, it is good that there is an art market. For it enables a large number of artists to practice art and produce such a huge variety of imageries as we see today. Besides this, there is, the collector or the buyer (the latter of course is a business category).
Young artists who aspire to achieve greatness (or simply love to do art) are living through this environment and are passing though different stages of social and economic advancement. Of course there is this lasting impression about art, that only genuine, good art survives. And that genuine artists are not derailed by the market – market that tends to develop egoes and esoteric values (in that, a high-priced work automatically becomes good art). But in spite of all distortions arising out of the market-value system, good art survives and gives aesthetic pleasure to its audience.
But the good side of today’s art scene is that the younger artists are more interested in making efforts to excel, to come up and be counted (which is good for art’s health).
In the present showing, - artists of different approacties, styles and concerns have come together. For example:-
Anupriya Munoth
In this trendy show, when one looks at Indore (M.P.) born Anupriya Munoth’s works, one is magnetized by a mix of beauty, fantasy, imaginative compositions (such as in “Lovable Beauty” and “Nature of woman”). Aided by a very soft instantly come to life, establish a line of communication with the viewer and lead him or her onto the path of visual poetry. Anupriya is by now an accomplished artist and her works stand their ground. No props but straight forward engagement with her visual metaphor. As an artist who has done lot of home work, she both deserves and demands attention. For she focuses her aesthetics on the hue and extent of feminine beauty – beauty that creates a colourful world and gives birth to innumerable dreams and fantasies.
Badri
Hyderabad (AP) artist Badri displays a penchant for things religious. Stylised Ganeshas, Durga and Jesus highlight his approach as well as his linear prowess (for in figurative art if line is not strong the journey doesn’t even begin). His “Harinamsmaranam” is a good example of highly communicative design and expressive lines. The singing devotees before the Lord deeply engage the viewer. “Sagaramathnam” is another good tell-tale visual that deserves attention, more so for its symbolism and an imaginative approach (quite childlike for that matter). “Dasavataram” too is a fine symbolic arrangement that conveys the story both meaningfully as well as aesthetically. In “Mahabharatam” again the symbolism is to the fore with grim forebodings. His “Saraswati” is an image simplified while his “Ganesha” remains his own self and with his own wits (again a neat figuration). His work like “Durga” and “Blue Jesus” take symbolism to its extreme. In the latter care blue could be the colour of peace but hardly of sacrifice (for the sake of humanity).
In short, Badri’s imageries lift the spirit of the viewer and make him see the traditional images and symbols from a new angle.
Koushal Choudhry
Mumbai based Koushal Choudhry assumes the role of an artist and social commentator in his works. His paintings reflect deep concern with what is going on in the wide world outside his own (for every individual has only a limited world, related of his own life and sensitivities). Some of his works relate to the life and times of Mumbai. The sensex, the bull run in the stock exchange and the situation of power supply in Mumbai, wherein he lives and works. His imageries being in the nature of academic realism, have the imprint of being well defined and suited to the theme he picks on. So thematic under pinning and emotive thrust give Koushal Choudhry’s art both an edge and the relevant contempraneity. Koushal’s zeal is sure to pull him forward. Urge and impel him to be more socially oriented, ready to make a sharp (visual) comment.
As a sensitive and maturing artist Koushal Choudhry much to say and I am sure he will be speaking his mind as he continues to confront the world and observer the life around him. Works like “Controlling the Bull” (pertaining to the stock exchange) and “Energy in Mumbai” are suggestive and tell tale at the same time.
Narender Mehta
Narender Mehta (based in Gurgaon, Haryana) has a strong leaning toward’s (nature and environment. His work tends to capture the beauty that already exists in nature and is forever pleasant to the eye. Alluring landscapes and the forever radiant flora fill much of his oeuvre. And there is a continuity in view and vision with colour setting the tone and tenor of the scape.
The flora is of course much too close an encounter with nature and in the case of Narender Mehta it is revealing. For much of his own aesthetic sensibilities seem to go into the careful creation of these scapes and images of flowers (mostly in full bloom). Fine compositions and subtle tonal play marks his work. However, he has widened his view by drifting towards the Buddha (his series of “Buddha-I & II). These are overbearing images and invoke both compassion (towards one’s fellow beings) and devotion. The neatness of his work is commendable. His palette is rich too, with colours abounding.
Narender scores highly when he goes into delicate details of his flowery creations.
Rahul Saini
Jalandhar (Punjab) based Rahul Saini’s very imaginative and stylistic works stress on rhythm and form. Partly abstract and partly fantastic, Rahul Saini’s creations sometimes turn sculptural and sometimes merely figures and characters from a dream world. Rich in their colour components. Works like “Dasi” and “Love” give one the feel of both sensuousness as well as a deep emotive quality that instantly touches the viewer. There is also depth in these works that could engage the audience for quite a while, works like “Music of the Night”, “Horizon” and “Day and Night” please the eye in quite a poetic way. Both rhythm and mood mark these works. But there are many more in his oeuvre which are both inviting as well as a lasting aesthetic delight. There is of course a consistency of approach visible in Saini’s works and that promises growth in the future. Works like “Departure” are a bit sentimental. But works like “Love” and “Attraction” sustain (through richness of colour and the warmth of the theme).
Shakti Singh Ahlawat
Rohtak (Haryana) based Shakti Singh Ahlawat displays a tendency to lean on the linearity of strokes. While dealing with female figures he gives the impression of going for pastel shades and chromatic harmony (“Untitled – I & II”). But when he goes to paint rural folk, his approach and technique change. And not only in his oils, but also in his watercolours, colours retain their richness and ferver (“Three Friends” (oil) and “A Rural Smile” watercolour). Strong with line, Shakti Singh has also produced some fine drawings such as “Krishna”. His realistic approach of course speaks a lot for him and his art’s growth.
Dr. Sindhu Nair
Dr. Sindhu Nair’s work oscillates between the two extremes – religion and free abstractionism. “Baby Krishna”, “Blue Buddha” and “Calmness” represent the former tendency and “Waves” and “Circles” the other. Her Tanjore School paintings are a more assured product because they follow a strong tradition that is still going strong. (For Krishna and Buddha are enduring images based in our religious mythology that has kept company and inspired our artists for centuries on end. Dr. Sindhu Nair has a rich inheritance of tradition that has made her work quite engaging and valuable at the same time. However, Dr. Sindhu Nair does not close the door for other art forms. In fact it is other themes and other art forms that show the way to the artist for further growth. And one hopes that Dr. Sindhu Nair will explore other art forms and scenes that could justify her journey into art. There is much promise in going that way if it engages the artist’s mind.
R.S. Yadav
(Art Critic)
BEYOND THE HORIZON- Contemporary Art Exhibition
Article written by Rahul Saini
The culturally barren land of Gurgaon is finally experiencing the winds of change. Thanks to the Epicenter, the residents don’t have to go all the way Delhi to be a part of any kind of a cultural event. As far as art exhibitions, theatre and live music and dance performances are concerned, the residents are served with a new offering every week. The art exhibition titled as ‘Beyond The Horizon’ is scheduled for 13th of December to 17th of December to take place at epicenter (also know as The Apparel House) sector 44, Gurgaon . It is a group show that brings together artists from various parts of India. The show features both fresh and young and experienced artists.
Anupriya Munoth
Anupriya’s paintings beautifully portray the beauty of a woman. Each of her painting is a visual manifestation of a thought which has the potential of initiating a story in the mind of the viewer. Each of her painting evokes a different emotion as well, that ranges from joy to sadness to suffering to celebration. Her works seems to be based on singular concepts that are soulful and substantial. Her work is straightforward and communicative.
Badri
Badri knows the art of storytelling well. And it is clearly visible in his work. Consisting of bold lines and bright colours, his art has a touch of fantasy to it. Based on religious tales, the anthology shows us artists visualizations of themes that vary from the crucification of Jesus Christ to Paanchali’s vastraharan from the Mahabharata. Badri’s work has a playful charm to it.
Koushal Choudhry
Koushal Choudhry’s lavish work addresses issues. The works seem like various visions from dreams. Each work of his is a statement in itself. The artist shows a tendency to use highlighting colours in his compositions. His work is highly suggestive and demands to be interpreted – it tickles the brain. Koushal Choudhry’s bold and inspiring work has a distinct style.
Narender Mehta
Narender Mehta’s works reflect the immense beauty of nature. The landscapes he paints range from surreal to real. The perfection in his application of colours is a factor (apart from many others) that ties up all his work together. The simple honesty is what gives it a cheerful beauty. The flowers in his paintings seem to be smiling with joy. His palette has subtle and broad frequency from warm to cool of rich hues.
Rahul Saini
The thematic and colourful works of Rahul Saini tends to have inclination towards curvilinear and soft lines to give birth to soothing compositions. A strong use of bright and playful colours and forms is prevalent in his works. His works have a deep and clear emotive quality. The paintings have an inherent Indian eminence to them. Feminine forms have been beautifully explored. The rich visual treat with shades of fantasy is a pleasure for both the eye and the heart.
Shakti Singh Ahlawat
The poetic works of Mr. Shakti Singh Ahlawat gives us visions of India. There is an obvious and remarkable command and maturity in the strokes and the colour application and in his works. His realistic approach to art gives birth to a set of believable visuals which are mostly pleasant and ‘lovely’, and touch the heart of the viewer.
Dr. Sindhu Nair
The contemporary work of Dr. Sindhu Nair has a profound stamp of India. Her deep and intense work induces mature emotions. Her work refuses to be bound in any boundaries. It ranges from abstract to religious to traditional. She plays with a wide variety of colours and textures. Her work is not only engaging for the eye, but equally engaging for the mind as well.
The collection exhibits a variety of moods, emotions, colours, ideas and themes. The event is a must for all the art lover and aspiring artists. The work of each artist is truly magnificent and reasonably priced.
A Confluence of Varied Images
Whenever a number of young artists come to exhibit their works together, they are generally a motley crowd having various tendencies, approaches and styles. Their thematic penchant too varies considerably (unless of course there are abstractionists among them, in which case only their approaches will differ). Some may pick up the Radha-Krishna romance. Others may go for modern approaches and imageries of romanticism. Some others may root for sex-and-violence – a theme that is very common these days, given our current environment. And yet some may lean towards catering to the art market, since there is a lucrative art market today. (which indeed is good news for most of the artists).
In my own opinion, it is good that there is an art market. For it enables a large number of artists to practice art and produce such a huge variety of imageries as we see today. Besides this, there is, the collector or the buyer (the latter of course is a business category).
Young artists who aspire to achieve greatness (or simply love to do art) are living through this environment and are passing though different stages of social and economic advancement. Of course there is this lasting impression about art, that only genuine, good art survives. And that genuine artists are not derailed by the market – market that tends to develop egoes and esoteric values (in that, a high-priced work automatically becomes good art). But in spite of all distortions arising out of the market-value system, good art survives and gives aesthetic pleasure to its audience.
But the good side of today’s art scene is that the younger artists are more interested in making efforts to excel, to come up and be counted (which is good for art’s health).
In the present showing, - artists of different approacties, styles and concerns have come together. For example:-
Anupriya Munoth
In this trendy show, when one looks at Indore (M.P.) born Anupriya Munoth’s works, one is magnetized by a mix of beauty, fantasy, imaginative compositions (such as in “Lovable Beauty” and “Nature of woman”). Aided by a very soft instantly come to life, establish a line of communication with the viewer and lead him or her onto the path of visual poetry. Anupriya is by now an accomplished artist and her works stand their ground. No props but straight forward engagement with her visual metaphor. As an artist who has done lot of home work, she both deserves and demands attention. For she focuses her aesthetics on the hue and extent of feminine beauty – beauty that creates a colourful world and gives birth to innumerable dreams and fantasies.
Badri
Hyderabad (AP) artist Badri displays a penchant for things religious. Stylised Ganeshas, Durga and Jesus highlight his approach as well as his linear prowess (for in figurative art if line is not strong the journey doesn’t even begin). His “Harinamsmaranam” is a good example of highly communicative design and expressive lines. The singing devotees before the Lord deeply engage the viewer. “Sagaramathnam” is another good tell-tale visual that deserves attention, more so for its symbolism and an imaginative approach (quite childlike for that matter). “Dasavataram” too is a fine symbolic arrangement that conveys the story both meaningfully as well as aesthetically. In “Mahabharatam” again the symbolism is to the fore with grim forebodings. His “Saraswati” is an image simplified while his “Ganesha” remains his own self and with his own wits (again a neat figuration). His work like “Durga” and “Blue Jesus” take symbolism to its extreme. In the latter care blue could be the colour of peace but hardly of sacrifice (for the sake of humanity).
In short, Badri’s imageries lift the spirit of the viewer and make him see the traditional images and symbols from a new angle.
Koushal Choudhry
Mumbai based Koushal Choudhry assumes the role of an artist and social commentator in his works. His paintings reflect deep concern with what is going on in the wide world outside his own (for every individual has only a limited world, related of his own life and sensitivities). Some of his works relate to the life and times of Mumbai. The sensex, the bull run in the stock exchange and the situation of power supply in Mumbai, wherein he lives and works. His imageries being in the nature of academic realism, have the imprint of being well defined and suited to the theme he picks on. So thematic under pinning and emotive thrust give Koushal Choudhry’s art both an edge and the relevant contempraneity. Koushal’s zeal is sure to pull him forward. Urge and impel him to be more socially oriented, ready to make a sharp (visual) comment.
As a sensitive and maturing artist Koushal Choudhry much to say and I am sure he will be speaking his mind as he continues to confront the world and observer the life around him. Works like “Controlling the Bull” (pertaining to the stock exchange) and “Energy in Mumbai” are suggestive and tell tale at the same time.
Narender Mehta
Narender Mehta (based in Gurgaon, Haryana) has a strong leaning toward’s (nature and environment. His work tends to capture the beauty that already exists in nature and is forever pleasant to the eye. Alluring landscapes and the forever radiant flora fill much of his oeuvre. And there is a continuity in view and vision with colour setting the tone and tenor of the scape.
The flora is of course much too close an encounter with nature and in the case of Narender Mehta it is revealing. For much of his own aesthetic sensibilities seem to go into the careful creation of these scapes and images of flowers (mostly in full bloom). Fine compositions and subtle tonal play marks his work. However, he has widened his view by drifting towards the Buddha (his series of “Buddha-I & II). These are overbearing images and invoke both compassion (towards one’s fellow beings) and devotion. The neatness of his work is commendable. His palette is rich too, with colours abounding.
Narender scores highly when he goes into delicate details of his flowery creations.
Rahul Saini
Jalandhar (Punjab) based Rahul Saini’s very imaginative and stylistic works stress on rhythm and form. Partly abstract and partly fantastic, Rahul Saini’s creations sometimes turn sculptural and sometimes merely figures and characters from a dream world. Rich in their colour components. Works like “Dasi” and “Love” give one the feel of both sensuousness as well as a deep emotive quality that instantly touches the viewer. There is also depth in these works that could engage the audience for quite a while, works like “Music of the Night”, “Horizon” and “Day and Night” please the eye in quite a poetic way. Both rhythm and mood mark these works. But there are many more in his oeuvre which are both inviting as well as a lasting aesthetic delight. There is of course a consistency of approach visible in Saini’s works and that promises growth in the future. Works like “Departure” are a bit sentimental. But works like “Love” and “Attraction” sustain (through richness of colour and the warmth of the theme).
Shakti Singh Ahlawat
Rohtak (Haryana) based Shakti Singh Ahlawat displays a tendency to lean on the linearity of strokes. While dealing with female figures he gives the impression of going for pastel shades and chromatic harmony (“Untitled – I & II”). But when he goes to paint rural folk, his approach and technique change. And not only in his oils, but also in his watercolours, colours retain their richness and ferver (“Three Friends” (oil) and “A Rural Smile” watercolour). Strong with line, Shakti Singh has also produced some fine drawings such as “Krishna”. His realistic approach of course speaks a lot for him and his art’s growth.
Dr. Sindhu Nair
Dr. Sindhu Nair’s work oscillates between the two extremes – religion and free abstractionism. “Baby Krishna”, “Blue Buddha” and “Calmness” represent the former tendency and “Waves” and “Circles” the other. Her Tanjore School paintings are a more assured product because they follow a strong tradition that is still going strong. (For Krishna and Buddha are enduring images based in our religious mythology that has kept company and inspired our artists for centuries on end. Dr. Sindhu Nair has a rich inheritance of tradition that has made her work quite engaging and valuable at the same time. However, Dr. Sindhu Nair does not close the door for other art forms. In fact it is other themes and other art forms that show the way to the artist for further growth. And one hopes that Dr. Sindhu Nair will explore other art forms and scenes that could justify her journey into art. There is much promise in going that way if it engages the artist’s mind.
R.S. Yadav
(Art Critic)
BEYOND THE HORIZON- Contemporary Art Exhibition
Article written by Rahul Saini
The culturally barren land of Gurgaon is finally experiencing the winds of change. Thanks to the Epicenter, the residents don’t have to go all the way Delhi to be a part of any kind of a cultural event. As far as art exhibitions, theatre and live music and dance performances are concerned, the residents are served with a new offering every week. The art exhibition titled as ‘Beyond The Horizon’ is scheduled for 13th of December to 17th of December to take place at epicenter (also know as The Apparel House) sector 44, Gurgaon . It is a group show that brings together artists from various parts of India. The show features both fresh and young and experienced artists.
Anupriya Munoth
Anupriya’s paintings beautifully portray the beauty of a woman. Each of her painting is a visual manifestation of a thought which has the potential of initiating a story in the mind of the viewer. Each of her painting evokes a different emotion as well, that ranges from joy to sadness to suffering to celebration. Her works seems to be based on singular concepts that are soulful and substantial. Her work is straightforward and communicative.
Badri
Badri knows the art of storytelling well. And it is clearly visible in his work. Consisting of bold lines and bright colours, his art has a touch of fantasy to it. Based on religious tales, the anthology shows us artists visualizations of themes that vary from the crucification of Jesus Christ to Paanchali’s vastraharan from the Mahabharata. Badri’s work has a playful charm to it.
Koushal Choudhry
Koushal Choudhry’s lavish work addresses issues. The works seem like various visions from dreams. Each work of his is a statement in itself. The artist shows a tendency to use highlighting colours in his compositions. His work is highly suggestive and demands to be interpreted – it tickles the brain. Koushal Choudhry’s bold and inspiring work has a distinct style.
Narender Mehta
Narender Mehta’s works reflect the immense beauty of nature. The landscapes he paints range from surreal to real. The perfection in his application of colours is a factor (apart from many others) that ties up all his work together. The simple honesty is what gives it a cheerful beauty. The flowers in his paintings seem to be smiling with joy. His palette has subtle and broad frequency from warm to cool of rich hues.
Rahul Saini
The thematic and colourful works of Rahul Saini tends to have inclination towards curvilinear and soft lines to give birth to soothing compositions. A strong use of bright and playful colours and forms is prevalent in his works. His works have a deep and clear emotive quality. The paintings have an inherent Indian eminence to them. Feminine forms have been beautifully explored. The rich visual treat with shades of fantasy is a pleasure for both the eye and the heart.
Shakti Singh Ahlawat
The poetic works of Mr. Shakti Singh Ahlawat gives us visions of India. There is an obvious and remarkable command and maturity in the strokes and the colour application and in his works. His realistic approach to art gives birth to a set of believable visuals which are mostly pleasant and ‘lovely’, and touch the heart of the viewer.
Dr. Sindhu Nair
The contemporary work of Dr. Sindhu Nair has a profound stamp of India. Her deep and intense work induces mature emotions. Her work refuses to be bound in any boundaries. It ranges from abstract to religious to traditional. She plays with a wide variety of colours and textures. Her work is not only engaging for the eye, but equally engaging for the mind as well.
The collection exhibits a variety of moods, emotions, colours, ideas and themes. The event is a must for all the art lover and aspiring artists. The work of each artist is truly magnificent and reasonably priced.
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